Finally, after a few false starts, our weekly together yesterday resulted in what I believe we’ve all been striving for – some moments of sublime interaction, where all the disparate elements finally coming together in something we could feasibly call an actual ‘piece’.
Alex and Ben, our tech gurus
Although still loose in a structural sense, our soundscape aesthetic is beginning to take shape and our respective roles have become more defined: Alex and Ben have taken on the mantle of being the ‘tech’ manipulators, with Ben’s role managing more of the sounds from the UWS environment, manipulated through Ableton, while Alex has taken on more of the musical elements, also employing Ableton but using samples taken from last weeks run through, looping the main piano motif that Tom devised, along with some evocative piano chords based on the C# dorian mode we seem to be working from, plus an assortment of cymbal crescendos, splashes and other audio manipulations.
Tom getting into bowing everything within reach!
Tom meanwhile has really come into his own; released in the environment of the percussion room at UWS and freed from the role of ‘pianist’, he has come to using a violin bow on cymbals and vibraphone to great effect, as well as augmenting this with tom rolls and accents, and occasional piano flourishes. Blaise has chosen to stay with his acoustic guitar, using an open tuning in C# and playing repetitive motifs and using the body of the instrument for percussive effects. Meanwhile I, instead of confining myself to percussion duties, have started to use an electric guitar, using techniques I initially employed in Expanded Practice: volume swells, bowed techniques using a bottleneck slide, using excessive analogue delay to create atmosphere and sweepable echo feedback loops.
It’s basic, but does the trick – Boss blues driver through an Ibanez analog delay
The overall effect is inspired and on occasion sublime – after plugging in, we freely improvised for about 20mins on the spot and achieved a gorgeous layering of sound, incorporating natural sounds from the university environment and manipulating them by way of pitch, repetition, reverberation and other effects. Tom’s piano motif was particularly effective as an element that would surface here and there as an identifier – we also discussed the idea of each of us having a signature ‘sound’ for each performer that was ours alone. We also discussed visuals for the project, and although the idea of using a projection screen with video footage was floated, we’ve decided instead that using an audio visualiser that reacts to our soundscape would be almost as effective – to that end I have purchased a visualiser called White Cap, that can run from a laptop and be projected onto a back screen.
If this is an indication of what we can achieve by pure improvisation, I’m quietly confident of the success of this subgroup. We still have 3 weeks until we present our part of the project, and at our present performing level we could easily present now. A very productive session indeed.